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Thanks to the martial arts action series starring Donnie Yen as the Wing Chun master, Ip Man has become something of a national icon crossed with a superhero. 'The Grandmaster' is an epic romance meets revenge flick with some small biographical moments sprinkled in between. Leung is only a supporting player in this, but he is reunited with Cheung and playing a tragic romantic character once again. Each telling of the story is given a striking color palette - black, white, red, green, blue - and a slight twist on the version of the deaths that we have come to know. But Nameless wins an audience when he claims he has killed the legendary assassins, earning a spot 10 feet closer with every story that he recounts of their deaths.

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Directed by Zhang Yimou, the movie opens upon Jet Li's nameless assassin requesting an audience with the King, who has locked himself in isolation from visitors following an attempt on his life by the assassins Sky (Donnie Yen), Flying Snow (Maggie Cheung), and Broken Sword (Tony Leung). The balletic wuxia sequences alone defy belief (and gravity), and the entire story is a classic case of an unreliable narrator. Very loosely based on the real-life assassination attempt on the King of Qin in 227 BC, 'Hero' is a sensory masterpiece and one of the most beautiful movies of all time. Leung gets only gets a quarter of the screentime and barely gets a name (he's officially called Cop 663), but he's easily the standout character thanks to the sweet and tender relationship he strikes up with Wong's Faye and that lovely final scene that captures exactly why Leung is such a star. During the day, Tony Leung is a police officer also nursing his wounds over a break-up with his flight attendant girlfriend (Valerie Chow) when a manic pixie snack bar worker (Faye Wong) gains an obsession with him. At night, a cop (Takeshi Kaneshiro) mourns his break-up with a woman named May when he runs into a beautiful blonde woman (Brigitte Lin) who happens to be a drug smuggler. The film follows two separate love stories unfold amid the bustling noise of Hong Kong.

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Full of electricity, color, and repeats of the song 'California Dreamin'' by The Mamas & the Papas, 'Chungking Express' finds both the excitement and ennui of being young and in love in your twenties. Wong Kar-wai's breakthrough 1994 film is his wildest and most 'Gen-X' of his catalogue. Thus, the entire melancholic film is a series of yearning glances and missed connections, all enveloped in Wong's warm, sumptuous visuals. Li-zhen are two inhumanly beautiful people whose sexual chemistry is palpable, and yet they never allow themselves to act on their urges. (That handsome man being Tony Leung.) Leung's Mr. Watching 'In the Mood for Love' is like having a handsome man croon to you in the world's tiniest cafГ©. Rather than confront their significant others, they try to come to terms with the infidelity by re-enacting how they think the affair began, the film slowly drifting in and out of their play-acted imagination and their actual growing bond.

Set in 1962 Hong Kong, 'In the Mood for Love' follows the relationship of a married woman and a married man who move in next door to each other and slowly realize that their spouses are having affairs with each other.

Leung's most beloved collaboration with his longtime director Wong Kar-wai, the 2000 romantic masterpiece is a sensuous display of restraint, and a visual flex from a master of his craft.

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